About this product

Fereghan Carpet With Open Field Design

Known in Persia as the ‘Met Hane’ design, the open field design in one abrashed colour is rarely seen in room-size carpets. However, the beautiful shades of terracotta in this piece is a fine example how texture and composition can be created by the use of subtle changes in the same colour, known as abrash. The field is framed by a classic Fereghan border of stylised palmettes and meandering vines. It is more than likely that this carpet was made to order. One wonders what kind of space it was made for, perhaps a dining room, or a snooker room? Maybe just for a grand hallway or lobby. Whatever its original purpose, this is an engaging and beautiful carpet which would work well in many contemporary or traditional decorative settings today. Professionally cleaned, and ready for immediate use.

Cat No: RR81

ABOUT

Persian rugs and carpets of various types were woven in parallel by nomadic tribes in village and town workshops, and by royal court manufactories alike. As such, they represent miscellaneous, simultaneous lines of tradition, and reflect the history of Iran, Persian culture, and its various peoples. The carpets woven in the Safavid court manufactories of Isfahanduring the sixteenth century are famous for their elaborate colors and artistical design, and are treasured in museums and private collections all over the world today. Their patterns and designs have set an artistic tradition for court manufactories which was kept alive during the entire duration of the Persian Empire up to the last royal dynasty of Iran.

Carpets woven in towns and regional centers like Tabriz, Kerman, Ravar, Neyshabour, Mashhad, Kashan, Isfahan, Nain and Qom are characterized by their specific weaving techniques and use of high-quality materials, colours and patterns. Town manufactories like those of Tabriz have played an important historical role in reviving the tradition of carpet weaving after periods of decline. Rugs woven by the villages and various tribes of Iran are distinguished by their fine wool, bright and elaborate colours, and specific, traditional patterns. Nomadic and small village weavers often produce rugs with bolder and sometimes more coarse designs, which are considered as the most authentic and traditional rugs of Persia, as opposed to the artistic, pre-planned designs of the larger workplaces. Gabbehrugs are the best-known type of carpet from this line of tradition.

As a result of political unrest or commercial pressure, carpet weaving has gone through periods of decline throughout the decades. It particularly suffered from the introduction of synthetic dyes during the second half of the nineteenth century. Carpet weaving still plays a critical role in the economy of modern Iran. Modern production is characterized by the revival of traditional dyeing with natural dyes, the reintroduction of traditional tribal patterns, but also by the invention of modern and innovative designs, woven in the centuries-old technique. Hand-woven Persian rugs and carpets have been regarded as objects of high artistic and utilitarian value and prestige since the first time they were mentioned by ancient Greek writers.

Although the term “Persian carpet” most often refers to pile-woven textiles, flat-woven carpets and rugs like Kilim, Soumak, and embroidered tissues like Suzani are part of the rich and manifold tradition of Persian carpet weaving.

In 2010, the “traditional skills of carpet weaving” in Fars Province and Kashan were inscribed to the UNESCO Intangible Cultural Heritage Lists.^[2][3]